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10 horror movie sequels that best the originals

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Frequent knowledge decrees that sequels are by no means nearly as good as the flicks they comply with, however widespread knowledge hasn’t spent weeks rooting by means of horror’s numerous franchises to seek out exceptions to the rule. And there are lots: In longstanding collection working eight to 12 entries deep, trilogies lower than a decade previous, and even duologies comprising a pair of stone-cold masterworks which have influenced horror for near a century. A shocking variety of horror cinema’s second acts outpace their opening acts. Perhaps the unique movie in a collection units the bar too low, or the previous raises it too excessive. Or possibly they’re each actually rattling good, however the follow-up has only a skosh extra oogie and boogie.

Regardless of the case, a number of the greatest horror franchise films occur to be sequels, and a few of these sequels occur to be among the many greatest horror films ever made. Right here’s a choice of 10 simply discovered on streaming companies.

Picture: Magnet Releasing

V/H/S/2

The low-fi novelty of 2012’s horror anthology V/H/Swears off simply after the tip of its first section. The essential conceit, which marries a haunted-house backdrop to an omnibus construction, is eerie sufficient, however offers its contributors an excessive amount of leeway to make their work look deliberately crummy. The sequel, V/H/S/2, follows the same strategy, however its wraparound narrative has goal, and its contributing filmmakers know learn how to shoot hand-held and grainy with out obfuscating what’s occurring onscreen. It helps that the film is better-paced than its predecessor, and that its marquee chapter, “Protected Haven” (from Gareth Evans, director of The Raidand Raid 2), is sharp, ingenious, and flat-out terrifying sufficient by itself to justify not solely the sequel, however the existence of the unique as nicely.

V/H/S/2is streaming free onTubiwith adverts, or onShudder.

In a still from The Bride of Frankenstein, Boris Karloff as the monster holds the hand of a horrified-looking Elsa Lanchester as his newly created mate.
In a still from The Bride of Frankenstein, Boris Karloff as the monster holds the hand of a horrified-looking Elsa Lanchester as his newly created mate.

Picture: Common Footage

The Bride Of Frankenstein

James Whale’s title is cemented in horror canon for guiding Frankenstein, The Outdated Darkish Home, and The Invisible Man, however he deserves as a lot recognition for guiding what’s arguably cinema’s first really nice sequel. There’s no denying Frankensteinits standing as an unimpeachable masterpiece. However TheBrideof Frankensteinimproves on all the things that makes Frankensteinso exceptional, from its imagery and ambiance to Boris Karloff’s efficiency because the lonely, terribly misunderstood monster. When you can’t get pleasure from horror for the grim pleasures of watching Karloff’s towering, misshapen lab experiment go on an anguished rampage, or reveling within the uncooked shock of Elsa Lanchester’s response to her would-be suitor, then you might have little purpose to look at the style within the first place.

The Bride of Frankenstein is streaming onVuduandFandangoNow**.**

A close-up facial shot of Pinhead, the pale-skinned, nail-faced central antagonist from the Hellraiser movies.
A close-up facial shot of Pinhead, the pale-skinned, nail-faced central antagonist from the Hellraiser movies.

Picture: New World Footage

Hellbound: Hellraiser II

Don’t interpret Hellbound: Hellraiser II’s inclusion right here as a knock on the Clive Barker traditional Hellraiser. They’re each good. It’s simply that Hellraiser II’s madness quotient is way increased, which is to be anticipated, given the in-depth tour of Hell and its enlargement on the particulars of the Lament Configuration. Tony Randel brings a daring, semi-experimental aesthetic to the movie whereas constructing off guidelines and expectations Barker set in Hellraiser. Pores and skin is as soon as once more elective, folks select their very own everlasting torments, and Doug Bradley can’t assist being something aside from stately and poised, even in a full bondage getup. Frankly, his Pinhead is vital to what makes Hellraiser IIwork. There’s a humanity to his efficiency in Hellraiserthat Bradley additional explores in Hellraiser IIwith each menacing relish and empathy: He’s the movie’s emotional heart, and a shocking supply of compassion towards a backdrop of insanity.

Hellbound: Hellraiser IIis streaming onAmazon PrimeandHulu**.**

A gagged woman hanging upside down in a dreary grim stone room goes face-to-face with a bearded, long-haired chubby man in black.
A gagged woman hanging upside down in a dreary grim stone room goes face-to-face with a bearded, long-haired chubby man in black.

Picture: Lionsgate

Hostel: Half II

Eli Roth’s Hostelis a far cry from Hostel: Half II, the place the nastiness baked into the premise is given weight and substance its progenitor lacks. Hosteldoes little greater than reimagine the setting of the splatter movie, relocating the kidnap-torture-kill sample of backwoods horror films to Central Europe, the place attractive dudes get led by their manhood to their bloody demises. Against this, Hostel: Half IIhas scope, pulling again the curtain on a world of spectacular wealth and commodified sadism. Roth dares to think about what sort of individual pays prime greenback for the privilege of mutilating and murdering harmless twentysomethings, however he additionally has the great manners to not skimp on richly staged bloodletting. Hostel: Half IIis a vicious movie, however its savagery is matched by its savvy.

Hostel: Half IIis streaming onHBO GOandHBO NOW.

A lean, blood-covered, knife-wielding figure from The Devil’s Rejects kneels next to a bloodied victim in the sand.
A lean, blood-covered, knife-wielding figure from The Devil’s Rejects kneels next to a bloodied victim in the sand.

Picture: Lionsgate

The Satan’s Rejects

Rob Zombie has been making horror films for 16 years, and his greatest up to now (nicely, other than The Lords of Salem) continues to be The Satan’s Rejects, in each manner an enormous enchancment on the confused, muddled Home of 1000 Corpses. Within the latter, Zombie limits his imaginative and prescient to homage; the movie reads like a collage of his favourite horror films. The Satan’s Rejects, then again, metastasizes his influences — from The Texas Chainsaw Bloodbathto Badlands— right into a cohesive narrative. Cleverly, possibly even cruelly, he presents an ethical quandary to his viewers: By repositioning the central Firefly household as leads as an alternative of heavies, he invitations us to spend money on their dynamic and their bond, which implies the viewers finally ends up rooting for, or no less than caringabout, a trio of remorseless, gleeful murderers. Determining the way you’re alleged to really feel concerning the bloody finish sequence is the final word problem in empathy.

The Satan’s Rejectsis streaming free onTubiwith adverts, or onShudder.

A thin white woman with black-and-white hair and a tall black muscular man stand together in the woods, both looking nervously in different directions.
A thin white woman with black-and-white hair and a tall black muscular man stand together in the woods, both looking nervously in different directions.

Picture: 20th Century Fox

Unsuitable Flip 2: Useless Finish

Rob Schmidt’s Unsuitable Flipis the definition of mediocrity: The forged is bland, the kills are tame, the plotting is formulaic, and even the ultimate post-credits stinger feels listless. Principally, Unsuitable Flip 2: Useless Finishdidn’t must do a lot to come back out forward of its precursor, so it’s a pleasant shock that director Joe Lynch set a better aim for himself than “make a greater film than Unsuitable Flip.” Anybody might make a greater film than Unsuitable Flip. However Lynch went and made a goodfilm, a top-notch instance of the backwoods mutant redneck cannibal horror area of interest that works as satire of the style, satire of crappy actuality TV, andas a slasher.

Unsuitable Flip 2: Useless Finishis streaming onAmazon.

Nightmare on Elm Street series villain Freddy Krueger holds up a victim by his throat.
Nightmare on Elm Street series villain Freddy Krueger holds up a victim by his throat.

Picture: New Line Cinema

A Nightmare On Elm Avenue 3: The Dream Warriors

Three years and three films in, Wes Craven’s A Nightmare on Elm Avenuecollection totally developed its identification with A Nightmare on Elm Avenue 3: The Dream Warriors, the chapter the place Freddy Krueger grew to become the wisecracking, mischievous, endlessly inventive assassin he’s remembered as after practically 4 many years of butchering youngsters of their sleep. His arsenal of one-liners is a pivotal component of his persona, arguably extra so than his enterprise and ingenuity within the hyper-competitive subject of constructing children lifeless. The world-building in A Nightmare on Elm Avenue 3: The Dream Warriorsis a deal with, but it surely’s the tally of imaginative kills and the still-fresh FX work that makes this movie so rattling memorable and endlessly watchable, whether or not Freddy is popping folks into marionettes, or ramming their noggins into TV units.

A Nightmare on Elm Avenue 3: The Dream Warriorsis streaming onAmazon.

A frightened-looking man clutching a crucifix slumps against the base of a door, holding a small girl in pink who’s covered in blood, has all-black eyes, and appears to be screaming.
A frightened-looking man clutching a crucifix slumps against the base of a door, holding a small girl in pink who’s covered in blood, has all-black eyes, and appears to be screaming.

Picture: Magnet Releasing

[•REC]²

If Jaume Balagueró and Paco Plaza’s [•REC]is a rollercoaster, [•REC]²is a drop-tower. Or possibly it’s an up-tower: The story progresses upward by means of a constructing, towards a penthouse, as occasions go from dangerous to worse to terrifying, forcing the characters deeper into hazard on the enterprise finish of a first-person POV. [•REC]²is lacking the shock issue of [•REC], however makes up for it after which some with sheer ferocious vitality. Watching the movie seems like a exercise, an immersive expertise that goes past placing viewers within the thick of the motion, and as an alternative runs them out of breath. We’re proper beside the doomed protagonists as they race by means of flats teeming with zombies, desperately searching for hope and rescue, however met solely by countless hordes of the undead.

[•REC]²is streaming onFandangoNow**.**

An alarmed-looking, bloodied Bruce Campbell faces a snarling, grey-eyed, toothy ceiling creature in Evil Dead 2.
An alarmed-looking, bloodied Bruce Campbell faces a snarling, grey-eyed, toothy ceiling creature in Evil Dead 2.

Picture: Lionsgate

Evil Useless 2

It’s a controversial proposal amongst diehard video-nasty aficionados and Sam Raimi devotees: The query of whether or not Evil Useless 2is an enchancment on Evil Uselessis deeply private, and hinges on how you want your DIY splatter flicks. However Evil Useless 2is the second the place “Raimi” took on a perform past serving as a cognomen, and got here to explain a method of horror filmmaking nonetheless referenced and (badly) replicated at present. It’s the right confluence of bloodshed and humor (gallows in addition to gross-out), and simply probably the most important viewers moviesin horror historical past. From the scene the place Ash loses his thoughts within the cacophonous laughter of family objects and tchotchkes to the sequence the place Henrietta Knowby is slashed to items, there aren’t many films so completely engineered to compel macabre delight amongst plenty of likeminded gorehounds.

Evil Useless 2is streaming onAmazon.

A young girl with all-white eyes and a wide-open mouth grabs a man’s chin.
A young girl with all-white eyes and a wide-open mouth grabs a man’s chin.

Picture: Blumhouse Productions

Ouija: Origin Of Evil

Unsuitable Flip 2: Useless Finishis to Joe Lynch as is Ouija: Origin of Evilto Mike Flanagan, although between the 2, Flanagan received the more serious deal by far: How does anybody make a great sequel to a horror film based mostly on a board recreation? Ouija isn’t even a “recreation” within the conventional sense. There isn’t a concrete goal. However Stiles White*’s Ouija* is whole trash, so Flanagan might solely go uphill with Ouija: Origin of Evil. This isn’t to say that the movie is fully good—it might be the worst Flanagan has made up to now, although he’s made a lotof excellent films, so “worst” is relative—however watching him dig for one thing substantial sufficient to hold a narrative on, and really discoverit, is spectacular. Oh, and that shocker of a ultimate shot supplies a jolt so satisfying that it’s well worth the worth of admission by itself.

Ouija: Origin of Evilis streaming onAmazon.

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