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Top 10 Best Movies About The Devil

Devil movies have long captivated audiences with their exploration of the age-old battle between good and evil. These films delve into the darkest corners of the human psyche, where temptation, possession, and malevolence take center stage.

Cecilia Jones
Nov 27, 2023476 Shares22659 Views
Devil movieshave long captivated audiences with their exploration of the age-old battle between good and evil. These films delve into the darkest corners of the human psyche, where temptation, possession, and malevolence take center stage.
Whether they terrify or intrigue, devil movies offer a chilling glimpse into the supernatural realm. In this article of the best movies about the devil, we'll uncover the cinematic gems that have left audiences spellbound, questioning the thin veil that separates our world from the infernal.

The Wailing (2016)

The poster of the movie The Wailing
The poster of the movie The Wailing
In the 2016 South Korean film, a menacing demon, resembling a red-eyed monster with qualities akin to Satan, plagues an entire village with its malevolent presence. Within this unsettling backdrop, some of the villagers suddenly succumb to madness, committing horrific acts of violence against their own families and neighbors. While the narrative occasionally introduces misleading clues, there remains a constant certainty about the true malefactor.
As the story unfolds over a gripping two-and-a-half-hour runtime, bursts of violence and occasional visual shocks intensify the atmosphere of terror and suspense. Yet, what truly chills the audience to the core is the grim realization that, despite the valiant efforts of the virtuous characters, evil ultimately prevails. In the realm of cinema, it becomes abundantly clear that the devil's sinister influence knows no bounds and endures unfettered.

Constantine (2005)

The poster of the movie Constantine
The poster of the movie Constantine
The return of Francis Lawrence's "Constantine" has been eagerly anticipated by fans since the late 2022 announcement that Keanu Reeves is reprising his role as the titular character, with Lawrence back in the director's chair. This sequel has been a long time coming, considering the original film's release in 2005.
Francis Lawrence's adaptation of DC Comics' "Hellblazer" series was an immediate success, grossing over $230 million worldwide. Given Keanu Reeves' continued popularity, particularly with the "John Wick" franchise, the time is ripe for John Constantine to grace the silver screen once more.
In the first film, there's a complex plotline, with Constantine on a mission to assist Rachel Weisz's character, Angela Dodson, a devout Catholic determined to prove her twin sister's death wasn't a suicide. Along the way, Constantine encounters numerous demons and even has a friendly companion in Shia LaBeouf's character.
However, the standout character among all the supernatural entities is undoubtedly Peter Stormare's portrayal of Lucifer. Believing that Constantine's soul belongs in Hell, Lucifer tirelessly plots to claim it, making him a memorable antagonist. Peter Stormare's performance was exceptional, and fans can only hope that his endearingly menacing Lucifer will make a return in the new installment.

Hereditary (2018)

The poster of the movie Hereditary
The poster of the movie Hereditary
"Hereditary" can be aptly described as the "The Exorcist" of its generation. While it may be slower-paced, less bombastic, and notably moodier, the effectiveness of Ari Aster's meticulously crafted, candle-lit scares is undeniable. Prior to the release of "Everything Everywhere All at Once" in 2022, "Hereditary" held the distinction of being A24's highest-grossing worldwide release. This film is a simple yet sinisterly intentioned narrative that stands as a modern horror masterpiece.
Toni Collette takes on the role of Annie Graham, a miniature artist introduced to us at her mother's funeral. As the story unfolds, Annie undergoes a slow unraveling, struggling to come to terms with what seems like grief but is likely something far more unsettling. When a shocking death further compounds her distress, Annie begins to suspect that her mother has invited an otherworldly presence into their home. While the specter of the Devil looms on the periphery, the true malevolence at play is Paimon, an ancient deity and a servant to Lucifer himself.
While the film only briefly delves into the mythology surrounding Paimon, offering glimpses through tattered pages and cryptic dialogues, the ever-present sense of something demonic makes "Hereditary" a profoundly and enduringly haunting experience. If the Devil played a more central role, this film would undoubtedly rank even higher in the annals of horror cinema.

The Exorcism Of Emily Rose (2005)

The poster of the movie The Exorcism Of Emily Rose
The poster of the movie The Exorcism Of Emily Rose
Director Scott Derrickson revealed that the movie originally received an R rating due to the disturbing facial distortions portrayed by star Jennifer Carpenter. These effects were achieved practically on camera, and the MPAA deemed Carpenter's performance so chilling and visceral that they initially refused to grant the PG-13 rating the studio had hoped for. Derrickson had to make some edits to tone down Carpenter's more disturbing moments to secure the desired rating.
Loosely based on the true story of Anneliese Michel, a German woman who tragically died during an exorcism in 1976, "The Exorcism of Emily Rose" blends elements of a courtroom procedural with supernatural horror. Laura Linney takes on the role of the defense attorney representing Tom Wilkinson's parish priest, who faces charges of negligent homicide following Emily Rose's death during his exorcism ritual.
The film seamlessly shifts between the courtroom drama and Emily's possession, revealing both her early symptoms and the eventual demonic takeover. While some aspects of the film may appear somewhat dated, with digital effects and jump scares typical of the 2000s era, the standout performances, particularly Jennifer Carpenter's, are so exceptional that the movie remains profoundly unsettling and is sure to terrify even the most skeptical horror enthusiasts.

The Babysitter (2017)

The poster of the movie The Babysitter
The poster of the movie The Babysitter
McG's filmmaking style may not resonate with everyone due to its bombastic, loud, and frenzied nature in both characterizations and action sequences. "The Babysitter: Killer Queen" could be seen as the epitome of McG's distinctive style, for better or worse. However, when we look at the first film, appropriately titled "The Babysitter," we encounter a more sentimental and nostalgic side of McG's direction.
In this film, Samara Weaving's character, Bee, takes on the role of babysitting school nerd Cole, played by Judah Lewis. Bee is not your average babysitter; she's the hottest high schooler in town, embodying a wonderful grunge, fun, and flirty persona that every adolescent boy dreams of having as their babysitter. It's no coincidence that her name is Bee.
Unfortunately, Bee and some of her friends, including Bella Thorne's Allison and Robbie Amell's Max, are members of a demonic cult. When Cole stumbles upon them in the middle of the night, engaged in a sinister sacrifice involving a classmate, he unwittingly becomes their new target. The film follows Cole's race against time to survive the night and avoid becoming their latest sacrificial offering.
While some of the goodwill established in the first film may have been undermined by its sequel, "The Babysitter" stands out as a heartfelt and tender cinematic experience. It serves as a gory love letter to '80s horror in the best possible way, offering a devilishly witty and warm surprise for streaming audiences.

The Witch (2015)

The poster of the movie The Witch
The poster of the movie The Witch
"The Witch" may not have achieved the same level of horror phenomenon as A24's marketing materials initially suggested (that distinction still belongs to Ari Aster's "Hereditary"). Nevertheless, it's indisputable that director Robert Eggers' breakout film offered a unique and unforgettable cinematic experience. Despite Eggers' current reservations about the film, "The Witch" remains a standout in the genre, particularly for its remarkable period authenticity and deliciously traditional dialogue.
In the film, Anya Taylor-Joy's character, Thomasin, joins her family as they settle near the untamed wilderness after being exiled from their Puritan community. Initially, their new life seems promising, but their world takes a dark turn when an unseen force, seemingly a witch in the woods, snatches away their infant son, Samuel. This tragic event sends the family spiraling into a web of religious persecution and possession.
Notably, the seemingly harmless goat named Black Philip transforms into the Devil, urging young Thomasin to make a fateful pact. The film culminates in a remarkable and unsettling horror ending. Whether or not the Devil is physically present, there's no denying the sinister atmosphere that even the mere mention of his name brings to the narrative.

The Devil's Advocate (1997)

The poster of the movie The Devil's Advocate
The poster of the movie The Devil's Advocate
It's not a spoiler to mention that Al Pacino takes on the role of the devil in "The Devil's Advocate" - it's right there in the title. However, when the film begins, we meet Pacino as John Milton (a clever name choice), the head of a New York law firm.
He extends an enticing offer to Keanu Reeves' character, Kevin Lomax, a morally flexible defense attorney renowned for never losing a case, even if it means setting guilty individuals free. Intrigued by the opportunity, Kevin accepts Milton's offer after a high-profile victory, leading him and his wife Mary, portrayed brilliantly by Charlize Theron, to relocate to New York.
Eerie events start to unfold almost immediately. As Kevin ascends the metaphorical ladder of success, Mary begins to unravel. She is tormented by unsettling visions and nightmares, including a disturbing scene where she envisions a child playing with her surgically removed ovaries.
Her sense of isolation deepens as she observes changes in Kevin's behavior. His relentless pursuit of victory begins to take a toll on his own well-being and the well-being of those he loves. "The Devil's Advocate" was both a critical and commercial success but has somewhat faded from the public consciousness over time.

The Last Exorcism (2010)

The poster of the movie The Last Exorcism
The poster of the movie The Last Exorcism
Just as Jennifer Carpenter delivered an awards-worthy performance in "The Exorcism of Emily Rose," Ashley Bell's compelling and eerie portrayal in the found-footage thriller "The Last Exorcism" is a significant factor in the film's success. Bell plays Nell, a young girl whose father believes she is possessed by Satan.
Patrick Fabian takes on the role of Cotton Marcus, a reverend who, accompanied by a camera crew, aims to expose the falsehood of exorcisms. He becomes intrigued by Nell's case, and in the early parts of the film, director Daniel Stamm skillfully maintains a high level of uncertainty. Audiences are left wondering whether Nell is truly possessed or simply suffering from a severe illness.
Without giving away the answer, Bell's performance anchors the entire narrative, displaying the same unsettling physicality and ability for unnaturally contorted movements as Jennifer Carpenter did in her role. Bell's riveting performance alone makes the film well worth watching.

The Conjuring (2013)

The poster of the movie The Conjuring
The poster of the movie The Conjuring
James Wan's mastery of the horror genre is undeniable. With "The Conjuring," he not only reinvented himself but also breathed new life into the horror genre as a whole. Gone were Wan's earlier works like "Saw," known for its gore and macabre themes (as seen in "Dead Silence"). Instead, in "The Conjuring," Wan expertly navigated a different path, drawing on the real-life experiences of demonologists Ed and Lorraine Warren, portrayed by Vera Farmiga and Patrick Wilson, respectively. This film strikes a balance, delivering both heart and terrifying scares.
Wan's directorial prowess shines at its peak here, as he transforms every corner of the farmhouse setting into a springboard for spine-tingling terror. Ordinary children's games, toys, and even wardrobes are utilized to maximum effect. The ensemble cast, which also features Lily Taylor and Ron Livingston, excels in conveying the sheer terror experienced by their characters.
Moreover, Wan's judicious use of unseen horrors and his ability to keep certain haunting elements from overstaying their welcome contribute to the film's success. "The Conjuring" is a rare gem in the horror genre, as it satisfies the immediate need for jumps and fears during viewing while leaving a lasting impression that lingers long after the credits roll.

The House Of The Devil (2009)

The poster of the movie The House Of The Devil
The poster of the movie The House Of The Devil
Director Ti West has carved out a prolific career in the horror genre. While he's known for classics like "The House of the Devil" and "The Innkeepers," West has also made a significant mark in genre television, directing episodes of series like "Scream: The TV Series" and "The Exorcist," among others. "The House of the Devil" is his third feature film, but it effectively marks a fresh start in his career, especially considering the somewhat lackluster quality of his first two films (apologies to fans of "The Roost").
Jocelin Donahue delivers an authentic portrayal of a college student facing financial challenges. In her quest to secure a new rental on campus, she responds to a mysterious babysitting job listing, only to discover that there are no children to care for - she's simply required to watch over the house.
Driven by desperation, she accepts the job, unaware that the homeowners have sinister plans. "The House of the Devil" is a tense and violent film, boasting exceptional practical gore effects, including a genuinely shocking and unexpected kill. It also features an early performance by Greta Gerwig. The film is a prime example of throwback horror at its best.

Conclusion

Devil movies hold a unique and enduring fascination as they probe the depths of human fear and curiosity, offering glimpses into the supernatural and exploring the eternal struggle between light and darkness. From timeless classics to modern masterpieces, these films have left indelible marks on the horror genre, reminding us that the devil's presence in our collective imagination is as potent as ever.
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