NL Movie & TV and Avrotros’ Dutch contribution to this 12 months’s digital Sequence Mania establishes in its first 30 seconds that it’s excess of a typical conflict thriller.
Narrated with elegant enhancing that’s each stylized and managed, the collection’ administrators, Iván López Núñez and Hanro Smitsman, focus their consideration on the peripheries that encompass violence, and its haunting penalties.
The ten-hour present follows upstanding former Dutch Particular Forces commander John de Koning (Werner Kolf) who nonetheless struggles with the traumas of a secret mission in Northern Nigeria which ended within the deaths of civilians and terrorists – solely to avoid wasting the lifetime of a person who turned out to be a merciless pedophile.
After the person reappears within the Netherlands, now a sinister, threatening Nigerian Minister, the lifetime of John and his platoon come beneath fireplace when John is put in control of the Minister’s safety.
Distributed worldwide by Lagardère Studios Distribution – one in all its a number of collection it had chosen for Sequence Mania and Canneseries – the collection varieties a part of the Sequence Mania on-line Digital Discussion board and can air on NPO3. A crossover collection – half actioner, half reflection on the conflict’s legacies – it varieties a departure for a lot of European higher-end drama manufacturing.
Selection talked with Kaja Wolffers, producer and artistic director at NL Movie & TV, in regards to the present.
The character of the collection feels fairly distinctive because it performs each within the area of interest mainstream thriller with clear tinges of upscale arthouse drama. Did this come from script or was developed whereas taking pictures?
What we’ve labored with was a bunch of creatives who mixed good thriller abilities with a extra arthouse background. We felt that this collection may distinguish itself from the extra common fare in being a bit darker, a bit extra psychological, with out shedding its ‘whodunit’ worth.
How was the method of analysis and which had been the important thing findings when writing about troopers?
We made positive that writers, creatives and administrators may spend lots of time with troopers and ex-soldiers. One of many issues that actually gripped their imaginations is the issue that most of the troopers had in combining their private household life with the traumas of soldier work. Virtually all of the troopers they spoke had been affected by some type of PTSD. We’ve grown up with a cliché of heroism round warfare. The truth appears to be that in conflict all people loses.
One of many features that instantly stands out from the collection is the enhancing, which manages to each have a gripping rhythm within the set items and be formally playful through the flashbacks, going past narrative and extra of a sensorial expertise. What had been your references when confronting these two?
We’ve taken a very long time to good the edit. What Marcel Wijninga and Boelie Vis (editors) and Ivan Lopéz Núñez and Hanro Smitsman (director) did rather well was use the strain within the collection “current” and mix that with the extra laid again strategy that the flashbacks in Africa had. Hanro as a director has a extra artwork home background, whereas Ivan is extra of a thriller director. The editors did an awesome job in combining these energies in a single energy. We hope that we had been in a position to make this work as a thriller with a deep psychological twist.
It feels as if the collection is extra within the aftermath of violence than violence itself. There’s a transparent refusal to keep away from the gory moments that different collection would take pleasure in. What had been your pursuits when telling the story of this commando?
What we needed to point out is the fact that in conflict all people loses. John has been traumatized by the mission. It ruined him and made him incapable of being a “regular” father. Because the story progresses, we present that the mission left no person unscathed. It’s a conflict collection, however the truth is an anti-war collection.
What had been your concepts when defining the soundtrack to the present?
Within the soundtrack we additionally needed to get contained in the minds of our principal characters. To externalize their interior battle. The whole lot they do is influenced by this trauma inside them. The music makes this relatable and comprehensible for the viewers.